<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>China Media Project</provider_name><provider_url>https://chinamediaproject.org</provider_url><author_name>Stella Chen</author_name><author_url>https://chinamediaproject.org/author/stella-chen/</author_url><title>Main Melody - China Media Project</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="26QkfBuvka"&gt;&lt;a href="https://chinamediaproject.org/the_ccp_dictionary/main-melody/"&gt;Main Melody&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://chinamediaproject.org/the_ccp_dictionary/main-melody/embed/#?secret=26QkfBuvka" width="600" height="338" title="&#x201C;Main Melody&#x201D; &#x2014; China Media Project" data-secret="26QkfBuvka" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},!c.wp.receiveEmbedMessage)if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!/[^a-zA-Z0-9]/.test(t.secret)){for(var r,a,i,s=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=0;o&lt;n.length;o++)n[o].style.display="none";for(o=0;o&lt;s.length;o++)if(r=s[o],e.source===r.contentWindow){if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(i=parseInt(t.value,10)))i=1e3;else if(~~i&lt;200)i=200;r.height=i}if("link"===t.message)if(a=d.createElement("a"),i=d.createElement("a"),a.href=r.getAttribute("src"),i.href=t.value,i.host===a.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf("MSIE 10"),i=!!navigator.userAgent.match(/Trident.*rv:11\./),s=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;s.length;n++){if(!(r=(t=s[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://chinamediaproject.org/wp-content/uploads/2022/02/MAIN-MELODY.jpg</thumbnail_url><thumbnail_width>2200</thumbnail_width><thumbnail_height>1238</thumbnail_height><description>The term &#x201C;main melody,&#x201D; or zhu xuanl&#xFC; (&#x4E3B;&#x65CB;&#x5F8B;), is frequently found in contemporary Chinese Communist Party discourse to describe activity in the cultural sphere, including media and journalism, that sticks to the main political line of the CCP. Emerging in the 1980s to refer to developments in film, the phrase can now refer more generally to the need to ensure the Party&#x2019;s voice is dominant in media and the arts, and leads the chorus.</description></oembed>
