One of Southeast Asia’s largest media groups announced this month that it would collaborate on content with a Chinese magazine. Is it turning a blind eye to the powerful political motives and interests that lay behind?

A recent series of events on South Korea’s remote Jeju Island offers a glimpse in miniature of China’s vast global media diplomacy campaign to paint the most pleasant picture of Xinjiang, where the country has been accused of serious human rights abuses.

After it went viral in China this month, video footage of a woman wailing before the altar of Bao Qingtian, an 11th-century official who has become a popular symbol of justice, drove a debate online about the difficulties of seeking recourse for official wrongs.

With a US Senate debate on TikTok and its national security implications on the horizon, some media have asked what signs there are that the app’s parent company, ByteDance, is under the thumb of China’s leadership. An abject politically-laden apology six years ago by the company’s CEO cuts right through the questions.

The harassment of state media reporters during a live report from the scene of a deadly explosion yesterday has angered some as an unacceptable act of interference. A closer look reveals a more disquieting truth — that such acts of obstruction are not an exception but the very nature of media policy in China.

A spat about the red credentials of one of China’s most celebrated writers has been blown out of proportion on the Chinese internet, thanks to harsher nationalist laws and an increasingly rabid cancel culture.

Media reports in recent days have focussed concern over China’s plans for Taiwan, drawing on apparent changes in the political language used by senior PRC officials. But a more cool-headed look at the history of Taiwan talk suggests these changes are more of the same obscurity.

The latest collaboration between the Discovery Channel and state-run media in China has been accused of whitewashing genocide in Xinjiang. Why is this American network so keen to “tell China’s story well?”

A new regional media network for South Asia and Southeast Asia created by the government’s China Daily and the provincial propaganda apparatus in Yunnan offers another glimpse into how Xi Jinping is seeking to remake the CCP’s global communication.

A win for China in the Best Novella category at the 2023 Hugo Awards for science fiction has been lauded by state media amid global controversy over authors being shut out of the Chengdu-hosted event. But many Chinese readers have panned the winning work — and some suspect that its victory is politically too convenient.

During its recent Universal Periodic Review China emphasized that it had its own path for human rights, rejecting “the West’s” focus on political rights. David Bandurski and Dalia Parete look at how related state narratives have emerged from the heart of the UN.

With the help of AI, CCP propaganda is becoming more targeted, accessible, and quickly made than ever before. We found one state-backed AI website and took it for a test drive.

Angered by what he saw as biased coverage in the Western media in 2008, a Chinese resident in Sweden launched a newspaper and website for the Chinese diaspora in Nordic countries. The outlet is now a megaphone for the external propaganda of the Chinese Communist Party.

How China’s latest pique over the ills of “Western media,” stemming from a cover illustration in The Economist magazine, entirely misses the point.

While China insists Taiwan is an internal affair, domestic media reactions to Taiwan’s elections have been muted. The bulk of state media coverage has instead been directed outwards at foreign readers. How do we account for this dichotomy?

Remarks last week by Xiao Chenghao were just the latest in a pattern of schadenfreude that rears its ugly head in China whenever natural disaster strikes Japan. The disciplining of the Hainan Satellite TV host shows the tension between the official drive for a positive global image and the anti-Japanese sentiment often stoked for the leadership’…

Originally meant as a platform for dialogue, the “Understanding China” international conference has become a mere stage for China’s ruling party. It stands as yet another example of how the notion of dialogue has become twisted by China’s media statecraft in the Xi era — and how cities and provinces are now being roped into the business of exter…

When the Meloni government announced in July that Italy intended to exit Xi Jinping’s signature trade and infrastructure program, Chinese state media made their voices heard. But Italy’s formal step to withdraw last week has met with uncharacteristic quiet.

The latest targets in China’s ongoing — and seemingly never-ending — internet rectification campaign include content that “incites class antagonism.” How did a Communist Party that lived and breathed class struggle for decades get to this point?

State media coverage of a ceremony yesterday to honor the recipients of China’s most prestigious journalism awards makes clear that the most prized asset in China’s press is control.